A Political Awakening in Belfast, Northern Ireland
Another mural had a portrait of Bobby Sands – IRA’s best known icon – as the first hunger striker to die. Scribbled on that wall were the following words:
Everyone, Republican Or Otherwise, Has Their Own Particular Role To Play…
Our Revenge Will Be The Laughter Of Our Children.
Since identity is a process, what we have is ‘a field of discourses, matrices of meanings, narratives of self and others, and the configuration of memories which, once in circulation, provide a basis for identification’ (Atvar Brah, cited in Helen Nicholson's "Applied Drama", p. 65). With the colourful murals invading the concrete spaces between buildings, I believe this form of artistic expression is a way for communal healing through a collective remembrance of past memories and vision for utopia.
As we engage with the past, we re-create a vision for the future.
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